If you are looking for some intimate, right in your face solo instruments though, then this is not for you. Recorded in Sydney with a selection of world class players there are ample mix opportunities within the interface to create a huge range of sounds. Straight out of the box, they quite simply sound amazing. If you are looking for big concert hall strings then Cinematic Strings 2.0 is probably all you will ever need for the most part. There are no other effects or EQ settings but I don’t think they are needed. The biggest knob on the screen is the Hall Reverb which adjusts the mix of how much reverb you want of that part. The string sections play as solo parts with some realistic legato, which can be switched off for polyphonic playing of each part. Additionally you can unload individual microphone positions to save additional memory if you are not using them. There are four different mix sliders that provide close, stage, room or a mix. Only the very hardcore among us would be using all eight articulations at once so this provides a really quick way of getting rid of the ones you don’t need. Next to the key switch is one of my favourite functions of the GUI - a simple toggle switch that allows you to instantly click off any articulations that you are not using to free up RAM. These can be modified to suit your own practice. There is also a note value inside each key switch icon that denotes which key on your controller will switch to each articulation. Next to each articulation is a key switch for triggering different articulations. The articulations include Arco, Tremolo, Half Trill, Whole Trill, Run Mode, Staccato, Marcato and Pizzicato. When you load a string part, it defaults to the Arco setting with seven additional articulations listed underneath in a stack. String sections include 1st Violins, 2nd Violins, Violas, Cellos and Basses. No manuals are necessary here as everything is well laid out and easy to understand. The interface is super intuitive and about as easy as it gets to navigate. When you open CS2, you are greeted with a good looking, and simple GUI. For those that don’t use Kontakt, it is also compatible with the free Kontakt 5 Player available directly from Native Instruments. This makes it quick, and reliably easy to get to, which is going to be a game changer for a lot of people who are comfortable within the Native Instruments environment. It simply appears as a module with your other Kontakt libraries like Massive and FM8. The library is now directly compatible with Kontakt. I did have a few issues installing the software but tech support got back to me quickly for each issue and eventually with some updated patch files marked ‘Beta’ I had the software loaded into Kontakt and working.Ĭinematic Strings 2.0 is a completely re-designed and updated version of the original Cinematic Strings. I started downloading on a Thursday and by the following Monday it was still going. It did take a number of days to download so this is something that potential buyers should keep in mind if they are hoping to buy to use before a deadline. Cinematic Strings is provided as a direct download that comes in a number of packets. First step was to get the software onto my computer. Given I’d just been briefed for a TV gig, I decided to put CS2 through its paces on a real composing job. The main question is just how many bells and whistles you need when you’re looking for a string library and does Cinematic Strings 2.0 make the cut? Let’s get Cinematic. There are no bells and whistles here, just lots of strings. In a market full of massively adjustable and adaptable soft instruments, today we look at the super simple Cinematic Strings 2.0. In fact you would want to be able to rely on them year in, year out as a go-to sonic tool for your more epic works. And just like screwdrivers, they shouldn’t date. You can hopefully buy a set that will serve you for many years. Unlike the latest ‘wobble-wobble, yah-yah’ supersaw, a good set of concert hall strings is like a good set of screwdrivers.
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